FRINGEBISCUIT

Narcissist, liar, art-school reject: Sarah Jones is a trainwreck spiralling through hangovers, humiliations, half-truths... & we can’t look away. Superbly-paced, @fatherawayshegoes' caustic wit burns. At 17, Electra Kolb delivers a star-is-born debut, with a stunning climax that leaves us breathless.

Uprooted from NYC to rural Germany, @alexis_sakellaris turns diva worship into scripture: Céline as gateway, Mariah & Gaga as lifelines, crowd work as communion. Beneath the camp lies loneliness, a relatable catalyst for this journey of radical acceptance. A joyously nourishing self-love letter.

@kisswitness & @elisabettygun drag us down a dystopian, choose-your-own-adventure rabbit hole in this agitated anthem for the not-so-distant apocalypse. With AI-generated scripts, immersive audio, moody scenography & uncannily robotic movement, the post-dramatic form is as juicy as the content.

@nathanmosherisgoodenough ’s stand-up begins stilted, chasing laughs with generic Taco Bell punchlines—but then pivots to confessional. Songs, poetry & psych-ward vignettes joined by abrupt blackouts drop the mask. By the end, it’s not the comedian but the complex human underneath who compels.

Confession time: flatmate-from-hell Susie’s dead & Olivia Pickford’s #sorrynotsorry, recounting her “Worst Day Ever” in all its micro-aggressive detail. Brilliantly witty physical gags battle overused V/O, but the fear that life’s little irritants could spark a full-blown meltdown hits hard.