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2023

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Sing, River

Sing, River

Sing, River

2/5

By Fringebiscuit

Crumpled paper card with big black capitals reading We Read Just the Title and We're Giving 5/5, No Notes, and a red balloon held in a hand

The Twittique / TL;DR

#LoveSongProductions ’ musical monologue blends personal history & English folklore. While promising, the show struggles w/ overused motifs, confined staging & vague acting. Despite an overlong runtime, the script sheds light on idealised yet abusive relationships.

Interweaving English folklore & personal history, #SingRiver is an ambitious attempt at a grand narrative. Presented by #LoveSongProductions and writer/performer Nathaniel Jones, it interlaces past & present, monologue & folk music…🎶🎭…Jones, in a denim ensemble, invites us on a journey of self-exploration, using the metaphor of the river as a repository of life's artefacts. However, the performance feels cumbersome, and the narrative often lacks clarity in its destination…🛤️🚧…The minimalist set design adds intrigue, with hanging bicycle wheels and scattered artefacts. Yet, the stage feels confining, limiting the performer's use of the environment…A recurring sound effect loses its mystique, resembling a children's TV show clue more than a profound realization. This, along with the monotonous theme of finding artefacts in the river, diminishes the show's dramatic potential…The ❤️ of the piece, memories of possibly abusive or dysfunctional relationships, is glossed over in favour of the artefact concept. The delivery feels stilted, relying on vague gestures that fail to engage the audience. References to British mythology and history lack depth, leaving the audience adrift in a superficial mythic atmosphere…Despite layered narratives and beautiful folk music, "Sing, River" lacks vividness & specificity for a truly immersive experience. The script needs editing, meandering repetitively without illumination. The show shines brightest in its least lyrical sections, when the performer delves into the process of realising that what was idealised was actually abusive. Yet, this moment of truth is but a brief respite in an otherwise overlong performance…In conclusion, "Sing, River" presents an idea with potential: a mix of memory, local environment, English culture, and music. However, it is in its early stages and requires further development and honing of the acting technique to truly captivate an audience. At its current state, it leaves one with the feeling of a missed opportunity and a longing for a more imaginative staging🌊✨✨

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